Two Classics for Caoscreo
I have read, listened, written, drawn, painted, photographed, visited… Everything can be more interesting if you remain curious, if you do not lose the desire to learn and experiment. I pause to observe the contrasts of colors, the different points of view of a shot, the sound of synonyms with which the same thing can be described, the harmony of a painting. A note can also be color, poetry is also melody, an image can scream more than one word. The expression: that's all... it's all here. (Editorial Director - Art Director)
To talk about myself I would use the English concept of Language Enthusiast, with its bad translation into Italian. Years of study, travel and authentic and pulsating passion for what lies beyond the border converge in this expression. I have an indiscriminate interest in any culture and any person with a story to tell. I remain with difficulty compressed in my dimension, I feel the continuous need to push myself further. I can't stand the innuendo, the half sentences and the boredom of waiting rooms. Certainly communicative, analytical, I split reality into a thousand pieces and then reassemble it. I think and write in 4 languages, which I love all of them, because inside they sing me a beautiful song. (Editor - Translator).
What unites Piacentini's Architecture with Greenaway's Cinema, Munari's Design with Tiepolo's painting and Kandiskij's studies? What unites the election posters with the paper tickets we used for the tram? For visual culture, the challenge of the third millennium lies in seeing the red thread that binds each of its branches to tell the image and aesthetics. I would like to do it through a passion that comes from the tradition of classic cinema. After all, what is the history of Design if not the cerebral attempt to give a soul to matter, to plagiarize the form according to its most hidden meaning and all to be revealed? (Editor - Reporter)
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It can be said that CAOSCREO was born together with 2.D Night and that this lamp, now a design classic, represented a passage from the abstract conception to the concretization of forms. 2.D Night was born from steel and in 2009 it positioned itself on the market by inaugurating the brand, a laboratory of ideas that combines production experience with individual talent, drawing the dimension of essential yet versatile lines from the "collective creative chaos"; 2.D Night also marks the triumph of the Laser, which is the protagonist in shaping the object.
A brand that creates diversity from homogeneity - that is, from metalworking - CAOSCREO does not stop there: if the silhouette of 2.D Night is geometric and follows a certain "traditional" rigor, that of Claudette, another great classic, is it approaches the rounded hatches of early twentieth century abstractionism because its outline is intended to reproduce that of a cloud. With a little imagination, the temporal leaps will refer to Joan Mirò and Vasilij Kandinskij, to an unparalleled freedom of expression that favors different forms and sometimes even harmonized by contrast.
It is in fact a shelf that also functions as a bedside table, which therefore floats, testifying to an independent spirit. Available in several colors in painted metal, suitable for a creative context that can break the monotony of certain environments in the Interior, playing with hovering and giving that feeling marked by the poetry of De Andrè who, referring to the clouds, wrote "They go/They come/Every now and then they stop...".
Metal is a sustainable material, because it is recyclable: this is why man has been using it "since the dawn of time"; all of CAOSCREO's furnishing accessories are produced in Italy and are affected by our taste for beauty.
