Centuries upon centuries
I have read, listened, written, drawn, painted, photographed, visited… Everything can be more interesting if you remain curious, if you do not lose the desire to learn and experiment. I pause to observe the contrasts of colors, the different points of view of a shot, the sound of synonyms with which the same thing can be described, the harmony of a painting. A note can also be color, poetry is also melody, an image can scream more than one word. The expression: that's all... it's all here. (Editorial Director - Art Director)
To talk about myself I would use the English concept of Language Enthusiast, with its bad translation into Italian. Years of study, travel and authentic and pulsating passion for what lies beyond the border converge in this expression. I have an indiscriminate interest in any culture and any person with a story to tell. I remain with difficulty compressed in my dimension, I feel the continuous need to push myself further. I can't stand the innuendo, the half sentences and the boredom of waiting rooms. Certainly communicative, analytical, I split reality into a thousand pieces and then reassemble it. I think and write in 4 languages, which I love all of them, because inside they sing me a beautiful song. (Editor - Translator).
What unites Piacentini's Architecture with Greenaway's Cinema, Munari's Design with Tiepolo's painting and Kandiskij's studies? What unites the election posters with the paper tickets we used for the tram? For visual culture, the challenge of the third millennium lies in seeing the red thread that binds each of its branches to tell the image and aesthetics. I would like to do it through a passion that comes from the tradition of classic cinema. After all, what is the history of Design if not the cerebral attempt to give a soul to matter, to plagiarize the form according to its most hidden meaning and all to be revealed? (Editor - Reporter)
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London, Milan, Rome. What do they have in common? Centuries upon centuries have "vibrated" thanks to the cultural, historical, architectural contribution of these urban centers... their metallic contours are now reproduced by CAOSCREO, which continues its Skylight, New Lights on the Cities, design series launched last year. The LED version enhances the furnishing accessories in home evenings, allowing you to illuminate the silhouettes of the city; the object holders is a functional container, of practical and small dimensions, for a desk; the coat hanger and key holder, on the other hand, are the wall Skylight designed by CAOSCREO to be fixed to the wall with plugs. In this Christmas version, with Skylight object holder it is easy to store stationery objects such as scissors, pens, highlighters, markers, but also smartphones and accessories useful for office work. Skylight, New Light on London can host, as in the photo, even a magazine or a Lonely Planet guide, for those wishing to treat themselves with a return to the City during their end-of-year holiday.
Towers protagonists in London, but also of the Skylight, New Lights on Milano that testify to an alternation between past and present, present and future. The ancient buildings join the contemporary ones, all being part of the urban panorama that tells the story of the city, of the architectural styles that follow one another over time, of the city profile that characterizes the metropolis.
And Rome? The Beautiful Skylight, New Light on Roma in bright LED version dedicated to the Eternal City is placed in an elegant interior setting, with Anita Ekberg in Fellini's La Dolce Vita on the back to represent an important visual juxtaposition on the theme of the city. This union is a praise of the different souls of Rome in the Skylight; the one ordered by its ribbed metal profiles on one side and another more "brazen" and pagan.
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