'The Whole Is Different From The Sum of its Parts'
I have read, listened, written, drawn, painted, photographed, visited… Everything can be more interesting if you remain curious, if you do not lose the desire to learn and experiment. I pause to observe the contrasts of colors, the different points of view of a shot, the sound of synonyms with which the same thing can be described, the harmony of a painting. A note can also be color, poetry is also melody, an image can scream more than one word. The expression: that's all... it's all here. (Editorial Director - Art Director)
To talk about myself I would use the English concept of Language Enthusiast, with its bad translation into Italian. Years of study, travel and authentic and pulsating passion for what lies beyond the border converge in this expression. I have an indiscriminate interest in any culture and any person with a story to tell. I remain with difficulty compressed in my dimension, I feel the continuous need to push myself further. I can't stand the innuendo, the half sentences and the boredom of waiting rooms. Certainly communicative, analytical, I split reality into a thousand pieces and then reassemble it. I think and write in 4 languages, which I love all of them, because inside they sing me a beautiful song. (Editor - Translator).
What unites Piacentini's Architecture with Greenaway's Cinema, Munari's Design with Tiepolo's painting and Kandiskij's studies? What unites the election posters with the paper tickets we used for the tram? For visual culture, the challenge of the third millennium lies in seeing the red thread that binds each of its branches to tell the image and aesthetics. I would like to do it through a passion that comes from the tradition of classic cinema. After all, what is the history of Design if not the cerebral attempt to give a soul to matter, to plagiarize the form according to its most hidden meaning and all to be revealed? (Editor - Reporter)
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In the processes that regulate the final objective of PSICHE & SOMA in the work carried out in TERENZI SRL - TGROUP, through group work in the company, among the various metaphors coined, that of the orchestra of Peter Drucker stands out, one of the major exponents of management. Pursuing and promoting well-being in the company is an undertaking that can be superimposed on that of an "orchestra conductor": apparently a work of pure coordination, but, as we all know, appearances can be deceiving. The first 'conductor' is the head of the company, the one who from the top can decide to promote the concert; as we say in the last article, the "Team Building" was an essential path of the work. And it is precisely the importance of teamwork and even more of having a perception of this relevance that constitutes a decisive focus.
The Orchestra Metaphor
In the succession of various experiences, with different working realities, we have developed the idea that a company organization is comparable, in addition to a planet, to a musical orchestra: a company is not a set of machinery, offices, shelves or warehouses. First of all, the company is a group of people: the musicians of the concert.
Unity Is Strength
A company, like any system, is made up of different elements in relation to each other, which share a common purpose achievable through coordinated collective actions. This means that each part is fundamental to the functioning of the whole. According to Gestalt Psychology “The whole is different from the sum of its parts”. The totality, in fact, possesses qualities that would not be found in the single parts taken in isolation from each other.
“If you want to go fast, walk alone. If you want to go far, walk together "
In order to "go far" and achieve goals that do not die out in the short term, it is essential to familiarize yourself with the concept of "unity is strength", precisely of those groups whose members do not constitute the simple sum of the parts, but make up a real team, structured and powerful.
