Caoscreo and the art of the 20th century
I have read, listened, written, drawn, painted, photographed, visited… Everything can be more interesting if you remain curious, if you do not lose the desire to learn and experiment. I pause to observe the contrasts of colors, the different points of view of a shot, the sound of synonyms with which the same thing can be described, the harmony of a painting. A note can also be color, poetry is also melody, an image can scream more than one word. The expression: that's all... it's all here. (Editorial Director - Art Director)
To talk about myself I would use the English concept of Language Enthusiast, with its bad translation into Italian. Years of study, travel and authentic and pulsating passion for what lies beyond the border converge in this expression. I have an indiscriminate interest in any culture and any person with a story to tell. I remain with difficulty compressed in my dimension, I feel the continuous need to push myself further. I can't stand the innuendo, the half sentences and the boredom of waiting rooms. Certainly communicative, analytical, I split reality into a thousand pieces and then reassemble it. I think and write in 4 languages, which I love all of them, because inside they sing me a beautiful song. (Editor - Translator).
What unites Piacentini's Architecture with Greenaway's Cinema, Munari's Design with Tiepolo's painting and Kandiskij's studies? What unites the election posters with the paper tickets we used for the tram? For visual culture, the challenge of the third millennium lies in seeing the red thread that binds each of its branches to tell the image and aesthetics. I would like to do it through a passion that comes from the tradition of classic cinema. After all, what is the history of Design if not the cerebral attempt to give a soul to matter, to plagiarize the form according to its most hidden meaning and all to be revealed? (Editor - Reporter)
In Design as in Art the plus, the real strength, always lies in the aesthetic value of an object: given that it is supposed to be functional for the technical design studies behind it, it is however necessary that this generates a pleasure at the sight of those who watch it or use it. Geometric abstraction is the perfectibility of forms, the absolute enhancement of these. The rigorous forms are inspired by much of the art of the 20th Century, many abstract artists in painting: Malevic, Kandinskij, Mondrian; but also great storytellers and directors, especially in the Sixties. Geometry rhymes with spirituality, in numerous conceptions of abstractionism. An essential design by CAOSCREO is inspired by these shapes that cut and amaze, "putting order" in the environments they embellish, without renouncing a quid of creativity, both these lamp objects such as the "squared" Robyn and Soozy, or the two versions of the 2.D Night lamp, which combines technology with essentiality. Like the lamps, so also the bookcases rigorously observe the "severity" of geometry, while accompanied by a touch of creativity, such as the geometric but "unequal" DOiT, present in three different sizes, suitable for walls or for the center of the room...
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